Veera Narayana Temple, Belavadi | |
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Geography | |
Coordinates | 13°16′57″N 75°59′50″E / 13.282594°N 75.99726°ECoordinates: 13°16′57″N 75°59′50″E / 13.282594°N 75.99726°E |
Country | India |
State | Karnataka |
District | Chikkamagaluru |
Culture | |
Important festivals | Narasinha Jayanthi |
Architecture | |
Architectural styles | Mandir |
Number of temples | +91 9035041518 |
History and governance | |
Date built | 1200 CE |
Creator | Veera Ballala II |
The Veera Narayana temple is located in Belavadi, a village in the Chikkamagaluru district of Karnataka state, India. The temple was built during the rule of the Hoysala Empire. Known to legend as Ekachakranagara, Belavadi is said to be the place mentioned in Mahabharatha where Pandava prince Bheema killed the demon Bakasura and protected the village and its people. Belavadi is 29 km southeast of Chikmagalur town on the Chikmagalur-Javagal highway. It is a short distance from the famous temple towns of Belur and Halebidu, and a visit to this town is a rewarding experience.
This ornate trikuta (three shrined) temple was built in 1200 C.E. by Hoysala Empire King Veera Ballala II. The material used is Soapstone. Each of the three shrines has a complete superstructure (tower on top of shrine) and is one of the largest temples built by the Hoysala kings. While the famous temples at Belur and Halebidu are known for their intricate sculptures, this temple is known for its architecture.
The plan of the temple is unique in that two of the shrines face each other and are located on either side of a wide and spacious open mantapa (hall) containing thirty seven bays. The temple complex has two closed mantapas, one with thirteen bays and another with nine bays, at the end of which is a central shrine. This third shrine is an older construction and exhibits a standard architectural idiom containing all the basic elements of a Hoysala temple. The inner walls of the older shrine are plain, but its roof is well decorated. In all, the temple complex has fifty nine bays (hence it has many pillars), most of which are lathe-turned and bell shaped, while a few have decorative carvings on them. According to Foekema, the outer wall of the temple is of the "old style", with one eaves running around the temple where the superstructure meets the wall of the shrine. Below this are miniature decorative towers on pilasters (aedicule). This is followed by a second eves. A panel of Hindu deities and their attendants (frieze) are below this eves followed by a set of five moldings that form the base of the wall.