| Wildlife | ||||
|---|---|---|---|---|
| Studio album by La Dispute | ||||
| Released | October 4, 2011 | |||
| Recorded | Drasik Studios, Chicago November 2010 StadiumRed, New York April 2011 |
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| Genre | Post-hardcore, progressive rock | |||
| Length | 57:50 | |||
| Label | No Sleep | |||
| Producer | La Dispute | |||
| La Dispute chronology | ||||
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| Singles from Wildlife | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Alternative Press | |
| Rock Sound | 9/10 |
| Sputnikmusic | |
Wildlife is the second studio album by American post-hardcore band La Dispute, released October 4, 2011, on independent label No Sleep Records. Recording sessions for the album took place primarily at StadiumRed in New York City in April 2011. The band members took control of all of the production duties alongside the album's recording engineers, Andrew Everding and Joseph Pedulla. Wildlife was their last release on No Sleep Records before forming their own record label, Better Living.
Noted by music writers for its varied elements, Wildlife incorporates musical components from La Dispute's previous releases, particularly Somewhere at the Bottom of the River Between Vega and Altair and Here, Hear III., and genres such as screamo, progressive rock and post-rock. The album features lyrical themes that – while making several references to the band's home town of Grand Rapids – focus on personal loss, anger, and despair and, in the vision of the band, is a collection of unpublished "short stories" from a hypothetical author, complete with the author’s notes and sectioned thematically by the use of four monologues.
The album debuted at number 135 on the US Billboard 200 chart, selling 3,140 copies in its first week. It spent one week on the chart and charted only in the United States. Prior to its release, Wildlife was promoted with two singles, "Harder Harmonies" and "The Most Beautiful Bitter Fruit". The album was well received by critics, who mainly praised its conceptual lyrics and more melodic approach to the band's style.
The writing of the album did not start until a year after La Dispute's debut album, Somewhere at the Bottom of the River Between Vega and Altair, was released. Part of the reason for the delay was the band's continuous touring and promotion of the debut across the United States and Canada, with rare tour and festival appearances in Europe and Australia. When commenting on the delay between the band's album releases, singer Jordan Dreyer said he and the rest of the band members require "an absurdly long gestation period with these types of things and then we have to really sit down and be as meticulous as we all want to be". The band decided to use lyrical elements that they had intended to use in the first album but that were not included because they did not seem fully developed at the time. While writing La Dispute, the band had very specific goals; they projected the album to have 14 tracks and knew exactly what they wanted from each song.