Wolf Hall | |
---|---|
Genre | Historical drama |
Based on |
Wolf Hall and Bring Up the Bodies by Hilary Mantel |
Written by | Peter Straughan |
Directed by | Peter Kosminsky |
Starring | |
Composer(s) |
Debbie Wiseman (Original music) Claire van Kampen (Tudor music) |
Country of origin | United Kingdom |
Original language(s) | English |
No. of series | 1 |
No. of episodes | 6 |
Production | |
Executive producer(s) | Colin Callender |
Producer(s) | Mark Pybus |
Cinematography | Gavin Finney |
Running time | 60–65 min (episode) |
Production company(s) | Company Pictures |
Distributor | BBC Worldwide |
Release | |
Original network | |
Original release | 21 January | – 25 February 2015
External links | |
Website |
Wolf Hall is a British television serial first broadcast on BBC Two in January 2015. The six-part series is an adaptation of two of Hilary Mantel's novels, Wolf Hall and Bring Up the Bodies, a fictionalised biography documenting the rapid rise to power of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More, followed by Cromwell's success in freeing the king of his marriage to Anne Boleyn. Wolf Hall was first broadcast in April 2015 in the United States on PBS and in Australia on BBC First.
The series was a critical success and received eight nominations at the 67th Primetime Emmy Awards and three nominations at the 73rd Golden Globe Awards, winning for Best Miniseries or Television Film.
The cast is as follows:
On 23 August 2012, BBC Two announced several new commissions, one of which was Wolf Hall. According to The Guardian £7 million was to be spent on the adaptation. BBC Two controller Janice Hadlow said it was "very fortunate to have the rights" to the two novels and called Wolf Hall "a great contemporary novel".
Peter Kosminsky, the director of the series, said:
This is a first for me. But it is an intensely political piece. It is about the politics of despotism, and how you function around an absolute ruler. I have a sense that Hilary Mantel wanted that immediacy. ... When I saw Peter Straughan's script, only a first draft, I couldn't believe what I was reading. It was the best draft I had ever seen. He had managed to distil 1,000 pages of the novels into six hours, using prose so sensitively. He's a theatre writer by trade.