"You Should Be Dancing" | ||||
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Single by Bee Gees | ||||
from the album Children of the World | ||||
B-side | "Subway" | |||
Released | June 1976 (UK) July 1976 (US) |
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Format | Gramophone record (7" 45 RPM) | |||
Recorded | 19 January–1, 8 February 1976 Criteria Studios, Miami, Florida 6 May 1976, Le Studio, Morin Heights, Quebec |
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Genre | Disco | |||
Length | 4:16 | |||
Label | RSO | |||
Writer(s) | ||||
Producer(s) | Bee Gees, Albhy Galuten, Karl Richardson | |||
Bee Gees singles chronology | ||||
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"You Should Be..." | ||||
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Single by Blockster | ||||
Released | 1999 | |||
Format | CD single | |||
Label | Ministry of Sound | |||
Producer(s) | Blockster | |||
Blockster singles chronology | ||||
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"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
It is also one of six songs performed by the Bee Gees included in the Saturday Night Fever movie soundtrack which came out a year later.
"You Should Be Dancing" was recorded 19 January, 1 and 8 February, and 6 May 1976 with Barry Gibb providing lead vocals in falsetto. Barry had developed his falsetto to an incredible degree in the ten months since the release of "Baby As You Turn Away" from the Main Course album on which he sang a full song in falsetto for the first time (except for its chorus). Keyboardist Blue Weaver recalls that Maurice Gibb wrote the bass line and sang the horn parts to the brass players, while Barry sang parts for Weaver to play, while guitarist Alan Kendall got in a short guitar solo for its instrumental break.
Stephen Stills was also at Criteria Studios recording the album Long May You Run with his band and Neil Young. Stills added percussion on the song's February sessions. Members of Stills's backing band, George Perry (bass) and Joe Lala (percussion), also worked with the Bee Gees on some songs.