Professional ratings
Review scores
Source	Rating
American Songwriter
Billboard	favourable
The Daily Telegraph
Entertainment Weekly	B+
The Guardian
The Independent
LA Times
New York Daily News
The New York Times	favourable
The Washington Post	favourable

Praise & Blame is the 39th studio album by Welsh musician Tom Jones, released 26 July 2010. The album was Jones’ first release with Island Records and was recorded in 2009 at the Real World Studios in England. Produced by Ethan Johns, Praise & Blame was made up of largely little known devotional and gospel covers, marking a departure from the pop-orientated style that had dominated Jones' recent recordings.

Upon its release, Praise & Blame received generally positive reviews from most critics. Giving the album four stars, Andrew Perry in The Daily Telegraph claimed that the album was "by far Jones’ best album in two decades" and stated that "with its loose, spontaneous sound, and the all-pervasive sense of artistic rebirth…it’s a revelation." Similarly, Andy Gill in The Independent stated: "Overall, it's an extraordinary achievement: Praise & Blame represents the kind of reconnection with his core creative fire that was hinted on a few tracks of his last album, 24 Hours, but is here left naked and bleeding raw, bereft of showbiz blandishments.” Giving the album five stars, Gill labelled the album one of the best in Jones’ six decade long career.

The album's stripped down production and focus upon spiritual songs gained numerous comparisons to Johnny Cash's American series and Elvis Presley's 1968 comeback. Writing in American Songwriter, Rick Moore applauded the song selection and stated that "on this excellent collection of songs examining the human condition, Jones confronts the issues of heaven and hell in a way that Cash did for much of his life, especially toward the end of it… [Tom] Jones and [Ethan] Johns have made a real statement in the same way that Rubin, and of course T Bone Burnett, do almost every time they produce an album." Writing in The New York Times, Stephen Holden states that Jones’ vocal delivery "conveys the contrition of a sinner as he delivers a mixture of traditional spirituals and contemporary gospel songs tautly arranged for a small band. It is a respectful, expressively focused exploration of a genre beloved by Mr. Jones’s American counterpart, Elvis Presley."

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